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Bhekasana (Sanskrit: भेकासन; IAST: Bhekāsana), [1] or Frog posture [2] is a reclining asana in modern yoga as exercise. It is one of several poses that put the body in a shape like that of a frog: another is Mandukasana .
The pose is entered from Sarvangasana (shoulderstand), the chest being held forwards by the hands and the feet lowered to the ground behind the back, the knees remaining bent; or more easily, by lifting the back from lying supine on the ground. The full pose has the knees bent and the ankles caught (Bandha) by the hands. The pose may be exited ...
The name comes from the Sanskrit मन्दुक manduka, "a frog", from the frog-like position of the legs in the asana.. The pose is one of the 32 "useful asanas" listed in the classic 17th century Hatha yoga text Gheranda Samhita; the variant pose Uttana Mandukasana is also in that list.
Ardha Salabhasana (Half Locust Pose) raises one leg and the opposite arm at a time; the other arm may rest on the floor or be folded over the back. [11] [12] In Bikram Yoga, Salabhasana, following another reclining backbend, Bhujangasana or Cobra Pose, is performed in stages. First, the arms are placed under the body pointing straight towards ...
Pose implies an artistic, aesthetic, athletic, or spiritual intention of the position. Attitude refers to postures assumed for purpose of imitation, intentional or not, as well as in some standard collocations in reference to some distinguished types of posture: "Freud never assumed a fencer's attitude, yet almost all took him for a swordsman." [2]
The world's largest frog is the goliath frog of West Africa—it can grow to 15 inches (38 centimeters) and weigh up to 7 pounds (3.2 kilograms). One of the smallest is the Cuban tree toad, which ...
A single asana is listed for each main pose, whether or not there are variations. Thus for Sirsasana (Yoga headstand), only one pose is illustrated, although the pose can be varied by moving the legs apart sideways or front-and-back, by lowering one leg to the floor, by folding the legs into lotus posture, by turning the hips to one side, by placing the hands differently on the ground, and so on.
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...