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Baile folklórico, "folkloric dance" in Spanish, also known as ballet folklórico, is a collective term for traditional cultural dances that emphasize local folk culture with ballet characteristics – pointed toes, exaggerated movements, highly choreographed. Baile folklórico differs from danzas and regional bailes.
Fandango is one of the main folk dances in Portugal. The choreography is quite simple: on its more frequent setting two male dancers face each other, dancing and tap-dancing one at a time, showing which has the most lightness and repertoire of feet changes in the tap-dancing.
The basic characteristics of Basque dance are seen in the choreography, historical and festive elements, and the universal traits of tradition, entertainment, tourism and especially religious-festive events. You can tell a good dancer by how high they jump, their double clicks, how high they kick, and their gracefulness.
Sevillanas (Spanish pronunciation: [seβiˈʝanas]) are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in lyrics based on country ...
First position: This is the main ballet position, and for most beginners, it is the basic position to start from. In this standing position, the dancer’s feet remain connected at the heels, with the toes turned out at a 90-degree angle, or greater. In this position, the entire sole of the dancer’s foot and toes are in contact with the floor.
Seguidilla dancing, 18th century. The seguidilla (/ ˌ s ɛ ɡ ə ˈ d iː (l) j ə,-ɡ ɪ-, ˌ s eɪ-/; Spanish: [seɣiˈðiʎa]; plural in both English and Spanish seguidillas; diminutive of seguida, which means "sequence" and is the name of a dance) [1] [2] [3] is an old Castilian folksong and dance form in quick triple time for two people with many regional variations.
It is a dance of playful character, with a social component expressing gallantry. It is somewhat more permissive of improvisation than other folk dances; improvised in fiestas and exhibitions. Some interpreters [citation needed] have added increased complexity to its traditional choreography. It is played at a fast tempo.
The Region of Murcia in Spain is one of the birthplaces of the parranda. The parranda originated from seguidilla, an old Castilian form of folk music and dance, during the 18th century, [2] [3] within the Region of Murcia, as well as the eastern areas of Almería (Los Vélez, Levante Almeriense and Valle de Almanzora) and the southeastern areas of Albacete (Campos de Hellín and Sierra de ...