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The Venus of Brassempouy, about 25,000 BP 11th-century Anglo-Saxon ivory cross reliquary of walrus ivory. Ivory carving is the carving of ivory, that is to say animal tooth or tusk, generally by using sharp cutting tools, either mechanically or manually. Objects carved in ivory are often called "ivories".
The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris.The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made", [1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and ...
The earliest documentation of the ivories was in the inventories of the Salerno Cathedral during the early sixteenth century. [1] A lack of further written sources causes debate over when and where the ivories were carved, who commissioned them, the arrangement of the panels, and the geographical and cultural origins of the artists. [1]
There is a second ivory triptych in the British Museum and two leaves divided between the British Museum and the Louvre. They are carved with the same arms. [ 6 ] The Grandisson ivories in the Louvre and British Museum demonstrate iconographic features that suggest Italian influence and the style of paintings from the province of Siena in Tuscany.
Now, she’s the author of a book with a tongue-in-cheek guide to living like it’s 999 AD — or thereabouts — called “Weird Medieval Guys: How to Live, Love, Laugh (and Die) in Dark Times.”
Since much greater numbers of ivories survive than panel paintings from the period, they are very important for the history of Macedonian art. All sides of the triptych are fully carved, with more saints on the outsides of the side leaves, and an elaborate decorative scheme on the back of the central leaf. The ivory's early history is unrecorded.
Lasko, Peter, Ars Sacra, 800–1200, 1994 (2nd edn.), Penguin History of Art (now Yale), ISBN 0300053673, Google books Williamson, Paul. An Introduction to Medieval Ivory Carvings , 1982, HMSO for V&A Museum , ISBN 0112903770
The accepted date of the Trier Ivory is around the 4th century A.D. due to the iconographical style of the figures' clothing and the style in which Christ is depicted. [1] The figures in the ivory are carved outside the background, and individual figures' limbs are also free. This is a frequent characteristic of many early Byzantine ivories. [1]
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