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African-American Vernacular English (AAVE) is a nonstandard dialect of English deeply embedded in the culture of the United States, including popular culture.It has been the center of controversy about the education of African-American youths, the role AAVE should play in public schools and education, and its place in broader society. [1]
African American slang possess all of the same lexical qualities and linguistic mechanisms as any other language. AAVE slang is more common in speech than it is in writing. [106] AAVE also has words that either are not part of most other American English dialects or have strikingly different meanings.
Regional dialects in North America are historically the most strongly differentiated along the Eastern seaboard, due to distinctive speech patterns of urban centers of the American East Coast like Boston, New York City, and certain Southern cities, all of these accents historically noted by their London-like r-dropping (called non-rhoticity), a feature gradually receding among younger ...
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North American English is a collective term for the dialects of the United States and Canada. It does not include the varieties of Caribbean English spoken in the West Indies. Rhoticity: Most North American English accents differ from Received Pronunciation and some other British dialects by being rhotic.
African-American English (or AAE; or Ebonics, also known as Black American English or simply Black English in American linguistics) is the umbrella term [1] for English dialects spoken predominantly by Black people in the United States and many in Canada; [2] most commonly, it refers to a dialect continuum ranging from African-American Vernacular English to more standard forms of English. [3]
A diversity of earlier Southern dialects once existed: a consequence of the mix of English speakers from the British Isles (including largely English and Scots-Irish immigrants) who migrated to the American South in the 17th and 18th centuries, with particular 19th-century elements also borrowed from the London upper class and enslaved African-Americans.
However, these dialects do have similar intonation patterns, markedly different from General American: a lower level of pitch fluctuation and an absence of a rising intonation in questions. This is commonly stereotyped in American popular culture as a monotone, subdued, or emotionless sound quality.