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Cara Nash from No Ripcord viewed the song as setting the album's mood "with two synth notes beeping back and forth, desolate and bleak". [13] Nash elaborated, saying the notes are backed by "a haunting synth choir and drums", and the song's "extended outro" serves as a reminder of West's heartbreak being "defeating and relentless". [13]
Nothing but a Heartache" is a Northern soul hit originally released on the Deram Records label in November 1968 by South Carolina trio The Flirtations. The song was produced by Wayne Bickerton and co-written by Bickerton and Tony Waddington , who were later responsible for the 1970s successes of The Rubettes .
Following an unsuccessful December 1968 US release, "Nothing But a Heartache" was re-issued in the US in early 1969, with "How Can You Tell Me?" now replacing the original seasonal B-side. "Nothing But a Heartache" debuted at No. 93 on the Billboard Hot 100 on 8 March 1969. The single reached the Top 20 in several US markets – its chart peak ...
On November 24, 2008, "Welcome to Heartbreak" was released as the second track on West's fourth studio album 808s & Heartbreak. [19] West clarified over his blog that, despite a music video being released for the song on February 18, 2009, "Amazing" was the track set for release as the next single from the album. [20] "
MOSCOW (Reuters) -Russia said on Wednesday that relations with Washington were so confrontational that Russian citizens should not visit the United States, Canada and some EU countries in coming ...
Three years after the original suspect in a nearly 40-year-old double murder was exonerated based on DNA evidence and freed from prison after 20 years, a Georgia man has been arrested and charged ...
Steve Guttenberg hit the ground running to help people impacted by the fires in Pacific Palisades — and he was almost unrecognizable. The flames first began around 10:30 a.m. local time on ...
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]