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In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition.Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai.
Ijele Masquerade, known as the biggest Masquerade in Sub-Saharan Africa, is a tradition of the Igbo people of Nigeria and was listed in the UNESCO Archives as an intangible cultural element in need of urgent safeguarding [1]. In many communities in the state of Anambra in South-Eastern Nigeria, celebrations, burial ceremonies and other special ...
Indigenous Nigerian music is the music originating from the various indigenous tribes of Nigeria. It encompasses mainly traditional music styles, although some forms have absorbed partial influences from genres performed by immigrant and foreign musicians.
Samuel Ekpe Akpabot was born in Uyo, Akwa Ibom State, Nigeria, [1] to parents of Ibibio heritage. [2] He was educated at Baptist Academy and King's College, Lagos; at the latter, he was classmates with Emeka Ojukwu, Lateef Jakande and Alex Ekwueme. [3]
A typical udu. Igbo music (Igbo: Egwu nkwa ndi Igbo) is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria.The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. [1]
Olatunji won a following among jazz musicians, by infusing Nigerian rhythms with elements drawn from Ghanaian and Afro-Caribbean traditions. Most notably creating a strong relationship with John Coltrane, with whose help he founded the Olatunji Center for African Culture in Harlem. This was the site of Coltrane's final recorded performance in 1967.
It is the traditional music played acoustically in live or recorded form at festive events, such as the Ekpe/Okonko (masquerade festival), Iwa akwa (manhood rite of passage), Ichi Echichi (coronation and titling ceremonies), Iza Aha (age-grade maturity ceremony), Ikeji/Iriji (new yam festival), Igbankwu Nwanyi (bridal wine-carrying dance at ...