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"Glow" is a duet by American singer-songwriters Kelly Clarkson and Chris Stapleton from her ninth studio album and second Christmas album, When Christmas Comes Around... (2021). Written by Clarkson, Danja , Jason Halbert , Hayley Warner , and Jesse Thomas, it was released a promotional single by Atlantic Records on October 15, 2021.
"You Make Me" is a song written and recorded by Swedish DJ and record producer Avicii. The song features unlisted/uncredited vocals from Swedish musician and singer Salem Al Fakir in collaboration with Swedish songwriter Vincent Pontare .
A music video to accompany the release of "Afterglow" was first released onto YouTube on 10 September 2013 at a total length of two minutes and fifty-two seconds. The video details a couple's five years of dating by tabulating the numbers, hours, days, and statistics of what they have done together since they first met.
"Glow" is a song by British singer and songwriter Ella Henderson. It was released on 5 October 2014 as the second single from her debut studio album, Chapter One . [ 1 ] [ 2 ] The song was written by Camille Purcell and Steve Mac .
"U Make Me Wanna" is a song by English boy band Blue. It was released as the third and final single from their second studio album, One Love (2002). It was released on 17 March 2003 in the United Kingdom and peaked at number four on the UK Singles Chart .
"Heart Attack" is a song recorded by American singer Demi Lovato. It was released on February 25, 2013, as the lead single from her fourth studio album, Demi (2013). The song was produced by Mitch Allan and Jason Evigan of The Suspex, who co-wrote the song along with Lovato, Sean Douglas, Nikki Williams, and Aaron Phillips.
Billboard ranked "You Make Me Feel (Mighty Real)" number 428 in their "Best Pop Songs of All Time" in October 2023. [4] The magazine praised its "magic moment"; "In the song‘s intro, as the song’s main hook starts to gather steam, a laser synth sound rises from out of nowhere, as if the song’s about to zoom off into outer space.
You're better off trying to make a tangent." [2] Gavin Martin of the magazine wrote, "O'Connor sings the song [...] reflecting on the pained story that has preceded, sealing the movie's mood of vigorous resolve and a hard-won emancipation. It's a full-blooded collaboration, O'Connor embracing the song and soothing old wounds."