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The expression ‘Scottish Colourists’ according to Macmillan may have first been used as early as 1915 in the Studio magazine. Its specific association in print, again according to Macmillan, seems to have been first used by T J Honeyman, [9] the art critic and director of Glasgow Art Gallery, in his book Three Scottish Colourists published ...
The Coffee Pot, by Samuel Peploe (1905). The first significant group of Scottish artists to emerge in the twentieth century were the Scottish Colourists in the 1920s. The name was retrospectively given to John Duncan Fergusson (1874–1961), Francis Cadell (1883–1937), Samuel Peploe (1871–1935) and Leslie Hunter (1877–1931). [2]
Ian Fairweather (1891–1974), Scottish/Australian painter; Christian Jane Fergusson (1876–1957), Dumfries and Galloway landscape and still-life painter; John Duncan Fergusson (1874–1961), member of the Scottish Colourists school; Henry Snell Gamley (1865–1928), sculptor specialising in war memorials and tombs; Robert Gavin (1827–1883 ...
Samuel John Peploe (pronounced PEP-low; 27 January 1871 – 11 October 1935) was a Scottish Post-Impressionist painter, noted for his still life works and for being one of the group of four painters that became known as the Scottish Colourists. The other colourists were John Duncan Fergusson, Francis Cadell and Leslie Hunter.
Francis Cadell self portrait, 1914. Francis Campbell Boileau Cadell RSA (12 April 1883 – 6 December 1937) was a Scottish Colourist painter, renowned for his depictions of the elegant New Town interiors of his native Edinburgh, and for his work on Iona.
"Bad Man" is a single by musician R. Kelly, [1] included on the soundtrack for the 2000 film Shaft. It was the first and only single from the Shaft soundtrack and charted at number 30 on the R&B/Hip-Hop Singles & Tracks chart. A video for the song was directed by Hype Williams. [2]
Redpath was soon exhibiting in Edinburgh, and was president of the Scottish Society of Women Artists from 1944 to 1947. The Royal Scottish Academy admitted her as an associate in 1947, and in 1952, she became the first woman painter Academician (the sculptor Phyllis Bone, elected in 1944, was the first female Academician). [1]
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