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Pine pattern collar in tatting. Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. [1] Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings, necklaces, waist beads, and other decorative pieces.
When used as an edging the lace can be made directly onto the hem of the fabric being edged. When a doily or freeform object (such as the birds and flowers decorating traditional headscarves) is being started a series of loops is tied onto a slip knot which is pulled tight to complete the first round. [8]
Buttonhole stitch scallops, usually raised or padded by rows of straight or chain stitches, were a popular edging in the 19th century. Buttonhole stitches are also used in cutwork, including Broderie Anglaise, and form the basis for many forms of needlelace. This stitch is well represented on 16th- and 17th-century whitework items.
Garden edging comes in a variety of different materials that can complement the style of your home. Think regal cement edging that'll add a flourish to a formal garden or breezy wicker to accent a ...
Brick is a traditional garden edging material since it's durable and contains sharp lines for a crisp, defining look to the area. Lay the blocks horizontally for a straight line appearance, or ...
2-thread: Edging and seaming, especially on knits and wovens, finishing seam edges, stitching flatlock seams, stitching elastic and lace to lingerie, and hemming. This is the most common type of overlock stitch. 3-thread: Sewing pintucks, creating narrow rolled hems, finishing fabric edges, decorative edging, and seaming knit or woven fabrics.
Honiton lace edging Honiton lace pillow and bobbins A wedding dress dating to 1865, trimmed with Honiton lace. Honiton lace is a type of bobbin lace made in Honiton, Devon, in the United Kingdom. Historical Honiton lace designs focused on scrollwork and depictions of natural objects such as flowers and leaves.
Yarn over (yo); Dip stitch which can be either . A raised increase, knitting into row below (k-b, k 1 b) A lifted increase, knitting into the yarn between the stitches (inc, m1)