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Congo is a 1980 science fiction novel by Michael Crichton, the fifth under his own name and the fifteenth overall. The novel centers on an expedition searching for diamonds and investigating the mysterious deaths of a previous expedition in the dense tropical rainforest of the Congo .
John Michael Crichton (/ ˈ k r aɪ t ən /; October 23, 1942 – November 4, 2008) was an American author, screenwriter and filmmaker. His books have sold over 200 million copies worldwide, and over a dozen have been adapted into films.
Michael Crichton (1942–2008) was an American novelist and screenwriter. He wrote 29 novels and his books have sold over 200 million copies worldwide, and over a dozen have been adapted into films. He wrote 29 novels and his books have sold over 200 million copies worldwide, and over a dozen have been adapted into films.
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Congo is a 1995 American science fiction action-adventure film based on the 1980 novel by Michael Crichton. It was directed by Frank Marshall and stars Laura Linney , Dylan Walsh , Ernie Hudson , Grant Heslov , Joe Don Baker and Tim Curry .
The Terminal Man is a novel by American writer Michael Crichton. [2] [3] It is his second novel under his own name and his twelfth overall, and is about the dangers of mind control. It was published in April 1972, and also serialized in Playboy in March, April, and May 1972. In 1974, it was made into a film of the same name.
Amazon was the best-selling Telarium title with as many as 100,000 copies sold, the majority likely for the Commodore 64. [2] Computer Gaming World praised its rarely used animated graphics and Crichton's cooperation with its designers, stating that "the cohesive manner in which the game's storyline unfolds reflects Crichton's skill as a writer". [4]
Crichton's assistant discovered the manuscript on one of Crichton's computers after his death in 2008, along with an unfinished novel, Micro (2011). [1]According to Marla Warren, there is evidence that Crichton had been working on Pirate Latitudes at least since the 1970s; to substantiate her position, she quotes a statement by Patrick McGilligan in the March 1979 issue of American Film that ...