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Lady Killer (French: Gueule d'amour) is a 1937 French drama film directed by Jean Grémillon and starring Jean Gabin, Mireille Balin and Marguerite Deval.It has been classified as both a film noir [1] [2] and an entry into the poetic realist group of films of the late 1930s.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
1930: The Big House: George W. Hill: Chester Morris, Wallace Beery, Robert Montgomery: United States: Prison film [1] Born Reckless: John Ford, Andrew Bennison: Edmund Lowe, Catherine Dale Owen, Lee Tracy: United States [2] The Cat Creeps: Rupert Julian, John Willard: Helen Twelvetrees, Raymond Hackett, Neil Hamilton: United States [3] The ...
The Verdict is a 1946 American film noir mystery drama film directed by Don Siegel and written by Peter Milne, loosely based on Israel Zangwill's 1892 novel The Big Bow Mystery. It stars Sydney Greenstreet and Peter Lorre in one of their nine film pairings, as well as Joan Lorring and George Coulouris. The Verdict was Siegel's first full-length ...
Many full-length films were produced in the 1930s. Sound films ("talkies") were a global phenomenon by the early 1930s. Advances in color film included Technicolor and Kodachrome. The year 1930 is the start of "the golden age of Hollywood", which through at least the 1940s. The studio system was at its height in
Andrew Spicer, in his book European Film Noir, writes: "A riveting psychological study. With its sustained doom-laden atmosphere, Krampf’s expressive cinematography, its adroit mixture of location shooting and Gothic compositions and Richardson’s wonderful performance as a lower middle-class Everyman, On the Night of the Fire clearly shows ...
The Doorway to Hell is a 1930 American pre-Code crime film directed by Archie Mayo and starring Lew Ayres and James Cagney in his second film role. [2] [3] The film was based on the story A Handful of Clouds, written by Rowland Brown. The film's title was typical of the sensationalistic titles of many Pre-Code films. [4]
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