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Religious subjects dominated their output, and two major commissions allowed them to attempt a revival of the medieval art of fresco painting. The first was a fresco series completed in Rome for the Casa Bartholdy (1816–17; moved to the Alte Nationalgalerie in Berlin), a collaborative project by the Nazarenes that "marks the beginning of the ...
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity , imagination , and appreciation of nature in society and culture in response to the Age of ...
Its influence eventually spread globally, shaping various art forms and inspiring artists to express a more profound, emotional response to the natural world and societal changes. Romantic art highlighted the power of the individual perspective and the universal human experience, resonating across different cultures and leading to lasting ...
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism.
Delacroix's work was an example of another tendency of romanticism, the use of exotic settings; in French romanticism, these were usually in Egypt or the Middle East. He is best known for Liberty leading the People (1830), shown in the Salon of 1831, inspired by the combat outside the Hotel de Ville in Paris during the July Revolution of 1830 ...
Despite these encounters with Monti, little of neoclassicism remains in Manzoni's poetics. Strongly imbued with the tradition of the Lombard Enlightenment (Manzoni was a nephew, on Giulia Beccaria's side, of the well-known jurisconsult Cesare), Manzoni, following the formation of Jacobin circles in Milan and contact with the more radical Enlightenment tradition, [note 1] adhered until the last ...
Romantic writers such as Ralph Waldo Emerson (The Poet), and Percy Bysshe Shelley saw inspiration in terms similar to the Greeks: it was a matter of madness and irrationality. Inspiration came because the poet tuned himself to the (divine or mystical) "winds" and because he was made in such a way as to receive such visions.
Egypt's art was religious and symbolic. Given that the culture had a highly centralized power structure and hierarchy, a great deal of art was created to honour the pharaoh, including great monuments. Egyptian art and culture emphasized the religious concept of immortality. Later Egyptian art includes Coptic and Byzantine art.