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The End of the Millenium [sic] in the Romanian Village / Fin de Millénaire dans le Village Roumain / Sfârșit de mileniu în satul Românesc, a collection of recordings from 1989–97, released in 2000, with liner notes in English, French, and Romanian. Only some of the musicians on these recordings are affiliated with the taraf, but several ...
Romanian Folk Dances (Romanian: Dansuri populare românești, pronounced [ˈdansurʲ popuˈlare romɨˈneʃtʲ]), (Hungarian: Román népi táncok, pronounced [ˈromaːn ˈneːpi ˈtaːnt͡sok]), Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68 ...
The term "haiduci" was used by the Romanian resistance movement Haiducii Muscelului, between 1947 and 1959, which opposed the Soviet occupation and the Communist government. In the 2003 viral Moldovan pop song Dragostea Din Tei, the singer begins by introducing himself as a 'haiduc'. In 2004, Haiducii herself released a successful cover of the ...
Haiducii's cover was involved in a controversy in which Balan claimed that it was released without his permission. The original "Dragostea din tei" was further popularized by a Japanese animated video circulating on the internet, which in turn inspired American vlogger Gary Brolsma to use the song in his video "Numa Numa Dance" in
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Anca Giurchescu née Ciortea (19 December 1930 – 4 April 2015) was a Romanian researcher of folk dance, and an ethnochoreologist, one of the founders of the discipline. Born in Bucharest to a family formerly from Translylvania, she lived in that region as a child. Entering university, she studied dance at the National Institute of Physical ...
Iancu Jianu is remembered in many folk stories and ballads, such as Jianul, a folk balad written down by Vasile Alecsandri.. His house in Fălcoi was restored by architect R. Mariani, being transformed in 1959 in a museum under the name Memorial House Iancu Jianu.