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The End of the Millenium [sic] in the Romanian Village / Fin de Millénaire dans le Village Roumain / Sfârșit de mileniu în satul Românesc, a collection of recordings from 1989–97, released in 2000, with liner notes in English, French, and Romanian. Only some of the musicians on these recordings are affiliated with the taraf, but several ...
Romanian Folk Dances (Romanian: Dansuri populare românești, pronounced [ˈdansurʲ popuˈlare romɨˈneʃtʲ]), (Hungarian: Román népi táncok, pronounced [ˈromaːn ˈneːpi ˈtaːnt͡sok]), Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68 ...
Grigore Pintea, aka Pintea the Brave (Romanian: Pintea Viteazul; Hungarian: Pintye Vitéz; February 25, 1670 in Hollómező, Principality of Transylvania (today Măgoaja, Romania) – August 14, 1703 in Nagybánya, Kingdom of Hungary (today Baia Mare, Romania), was a famous heroic haiduc (rebel) stemming from Măgoaja, Lăpuș Country.
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The term "haiduci" was used by the Romanian resistance movement Haiducii Muscelului, between 1947 and 1959, which opposed the Soviet occupation and the Communist government. In the 2003 viral Moldovan pop song Dragostea Din Tei, the singer begins by introducing himself as a 'haiduc'. In 2004, Haiducii herself released a successful cover of the ...
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"Dragostea din tei" is the first song in Romanian to have achieved international success. [130] [D] While Libertatea wrote that it had "done more for Romania's image than all politicians put together", [103] Balan stated in an interview that, for him, "the greatest pride is the fact that [he] promoted the Romanian language". [203]