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Zoé left Sony in early 2004. The band kept working and touring during the whole year without a label behind them and started to gain a big following with the self-promoted singles "Love" and "Veneno". In early 2005, the band started working on new songs for their next album. By mid-2005, the band had recorded the song "Dead" with their own ...
Rock music portal This is a set category . It should only contain pages that are Zoé (band) albums or lists of Zoé (band) albums , as well as subcategories containing those things (themselves set categories).
MTV Unplugged: Música de fondo (Spanish: MTV Unplugged: Background Music) is the second live album recorded by Mexican alternative rock band Zoé.It was released on March 22, 2011, and it debuted at number one on the Mexican albums chart. [2]
Reptilectric is the fourth studio album by Mexican rock band Zoé, released in October 2008 through EMI Music. It was produced by Phil Vinall, who had previously worked with Radiohead and Placebo. The album debuted at number one on the Mexican sales charts and became Zoé's second platinum album for its 80,000 copies sold in Mexico alone.
Rocanlover (Misspelled: "Rock and Lover") is the second studio album by the Mexican alternative rock band Zoé. Released in 2003, it was produced by Phil Vinall, who had previously worked with the likes of Placebo, Elastica, and Pulp. This album counted with the main singles "Peace and Love", "Love", and "Veneno".
Zoé (band), a rock band from Mexico; Zoë Records, an independent record label; Zoe, an operetta by Giorgio Miceli (1836–1895) Zoë, by Zoë Badwi, 2011 "Zoe" (song), by Paganini Traxx, 1997 "Zoe", a song by Stereophonics from the 2013 album Graffiti on the Train "Zoe", a song by Paul Kelly from the 2020 album The A to Z Recordings
This page was last edited on 1 December 2024, at 23:44 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The album is the band's first work in four years since Prográmaton (2013). Aztlán was produced by longtime Zoé producer Phil Vinall, and Craig Silvey, collaborating with Zoé for the first time. Silvey's influence brought new sounds and recording techniques to this album and helped set it apart from Prográmaton. [4]
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