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The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
The Harlem Renaissance from 1920 to 1940 brought worldwide attention to African American literature. For many years, especially in the 1920s, Harlem was home to a flourishing of social thought and culture that took place among numerous Black artists, musicians, novelists, poets, and playwrights.
Starting around the time of the end of World War I, Harlem became associated with the New Negro movement, and then the artistic outpouring known as the Harlem Renaissance, which extended to poetry, novels, theater, and the visual arts. The growing population also supported a rich fabric of organizations and activities in the 1920s.
Historically, the term is present in African American discourses since 1895, but is most recognized as a central term of the Harlem Renaissance [2] (1917-1928). The term has a broad relevance to the period in U.S. history known as the Post-Reconstruction, whose beginnings were marked symbolically by the notorious compromise of 1877 and whose impact upon black American lives culminated in the ...
Based on the true story of one of America’s best-kept literary secrets, the audio drama reimagines the moment a group of Harlem Renaissance artists and activists traveled to Moscow in 1932.
Charlotte Osgood Mason, born Charlotte Louise Van der Veer Quick (May 18, 1854, Franklin Park, New Jersey – April 15, 1946, New York City), [1] was a white American socialite and philanthropist. She contributed more than $100,000 to a number of African-American artists and writers of the Harlem Renaissance , equal to more than $1 million in 2003.
It became known as Harlem Week, and would go on to draw back those who had departed. 50 years on, Harlem Week shows how a New York City neighborhood went from crisis to renaissance Skip to main ...
Gwendolyn B. Bennett (July 8, 1902 – May 30, 1981) was an American artist, writer, and journalist who contributed to Opportunity: A Journal of Negro Life, which chronicled cultural advancements during the Harlem Renaissance. Though often overlooked, she herself made considerable accomplishments in art, poetry, and prose.