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"At My Most Beautiful" is a song by the American alternative rock band R.E.M. During the song's creation, members of the group noted its similarity to the work of the Beach Boys and purposefully fashioned it to resemble that band's output.
The list consists mostly of studio recordings. Remix and live recordings are not listed separately unless the song was only released in that form. [1] Album singles are listed as released on their respective album. Only one release is listed per song, except for a couple of re-recordings, like their first Hib-Tone single.
"R.E.M" is a song by American singer Ariana Grande from her fourth studio album Sweetener, released in 2018. It was written by Grande and Pharrell Williams , production being handled by the latter. The song title inspired the name for Grande's makeup brand, R.E.M. Beauty .
American alternative rock band R.E.M. has released fifteen studio albums, five live albums, fourteen compilation albums, one remix album, one soundtrack album, twelve video albums, seven extended plays, sixty-three singles, and seventy-seven music videos.
Eponymous is the first greatest hits album by the American alternative rock band R.E.M., released in 1988.It was their last authorized release on I.R.S. Records, [6] to whom they had been contracted since 1982, having just signed with Warner Bros. Records.
Despite R.E.M.'s initial desire to make an album of rocking, guitar-dominated songs after Out of Time, music critic David Fricke noted that instead Automatic for the People "seems to move at an even more agonized crawl" than the band's previous release. [18] Peter Buck took the lead in suggesting the new direction for the album. [23]
"What's the Frequency, Kenneth?" is a song by American alternative rock band R.E.M. from their ninth studio album, Monster (1994). The song's title refers to an incident in New York City in 1986 in which two then-unknown assailants attacked journalist Dan Rather while repeating "Kenneth, what is the frequency?"
The edition contains remastered, live and demo versions of the songs from the album, as well as, unusually, a CD containing a fully remixed version of the album. The remix was the brainchild of original producer Scott Litt, who had long regretted the original mixing job he had done on Monster , which involved distortion and vocals low in the ...