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Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house some time between 1820 and 1823. [1] It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.
Without mentioning any ancestors, he begins his account by saying simply that Uranus "was the first who ruled over the whole world." [ 25 ] According to Apollodorus, the Titans (instead of being Uranus's firstborn as in Hesiod) were born after the three Hundred-Handers and the three Cyclopes , [ 26 ] and there were thirteen original Titans ...
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In Ancient Greek religion and mythology, Cronus, Cronos, or Kronos (/ ˈ k r oʊ n ə s / or / ˈ k r oʊ n ɒ s /, from Ancient Greek: Κρόνος, romanized: Krónos) was the leader and youngest of the first generation of Titans, the divine descendants of the primordial Gaia (Mother Earth) and Uranus (Father Sky). He overthrew his father and ...
Saturn (1636) by Rubens. Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid. [1]It was commissioned for the Torre de la Parada by Philip IV of Spain and shows the influence of Michelangelo on Rubens, which he had picked up on his journey to Italy.
In particular, Cronus's role in the genealogy of the Greek gods was transferred to Saturn. As early as Andronicus (3rd century BC), Jupiter was called the son of Saturn. [5] Saturn had two mistresses who represented different aspects of the god. The name of his wife, Ops, the Roman equivalent of Greek Rhea, means "wealth, abundance, resources."
Rhea or Rheia (/ ˈ r iː ə /; [1] Ancient Greek: Ῥέα or Ῥεία [r̥ěː.aː]) is a mother goddess in ancient Greek religion and mythology, the Titan daughter of the earth goddess Gaia and the sky god Uranus, himself a son of Gaia.
Saturn Devouring His Son is a name given to one of around 14 works by Francisco Goya which comprise his so called "Black Paintings" series. Each was created when Goya was in his latter years and seemingly preoccupied both by fears for his own mental stability and a general loss of faith in the direction of contemporary Spanish society. Reason