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"An Arundel Tomb" is a poem by Philip Larkin, written and published in 1956, and subsequently included in his 1964 collection The Whitsun Weddings. It describes the poet's response to seeing a pair of recumbent medieval tomb effigies with their hands joined in Chichester Cathedral .
At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's "Elegy Written in a Country Churchyard", Thomas Parnell's "Night-Piece on Death", Robert Blair's The Grave and Edward Young's Night-Thoughts. At its broadest, it can describe a host of poetry and prose works popular in the early and mid-eighteenth century.
"The Grave" is a blank verse poem by the Scottish poet Robert Blair. [2] It is the work for which he is primarily renowned. [ 2 ] [ 3 ] According to Blair, in a letter he wrote to Philip Doddridge , the greater part of the poem was composed before he became a minister. [ 2 ]
Blair published only three poems. One was a commemoration of his father-in-law and another was a translation. His reputation rests entirely on his third work, The Grave (1743), which is a poem written in blank verse on the subject of death and the graveyard. It is much less conventional than its gloomy title might lead one to expect.
Kansas native Clare Harner (1909–1977) first published "Immortality" in the December 1934 issue of poetry magazine The Gypsy [1] and was reprinted in their February 1935 issue. It was written shortly after the sudden death of her brother. Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri.
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"After Blenheim" is an anti-war poem written by English Romantic poet laureate Robert Southey in 1796. The poem is set at the site of the Battle of Blenheim (1704), with the questions of two small children about a skull one of them has found. Their grandfather, an old man, tells them of burned homes, civilian casualties, and rotting corpses ...
It contains an introduction by the editor, an introductory poem by Will H. Ogilvie, and features the poet's major works "Jack's Last Muster", "Jim's Whip" and "Where the Dead Men Lie". The original collection includes 33 poems [2] by the author that are reprinted from various sources, though they mainly originally appeared in The Bulletin.