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"Stay" is a doo-wop song written by Maurice Williams and first recorded in 1960 by Williams with his group the Zodiacs. [1] Commercially successful versions were later also issued by the Hollies , the Four Seasons and Jackson Browne .
", "Opus 17" features a rhythmic vocal hook within each verse, but, unlike in most Four Seasons singles up to that point, the song uses very little falsetto from Frankie Valli other than in the closing coda; by 1966, Valli was tiring of singing falsetto and, over the next several years, would begin singing music that did not require it. [5]
"Dawn (Go Away)" is a song written by Bob Gaudio and Sandy Linzer and recorded by the Four Seasons [3] in November 1963. [4] The song hit No. 3 in the early part of 1964. According to Billboard , it was the 25th biggest hit single of the year, placing behind " Rag Doll ", another Four Seasons hit, which was No. 24.
[14] [15] The track was released on a "double A-side" with U2's "Stay (Faraway, So Close!)". The single peaked at number four on the UK charts. [16] Sinatra usually included "I've Got You Under My Skin" in his concerts, a tradition carried on by his son, Frank Sinatra Jr. [17] The song would be used for the opening of the 2015 game, Batman ...
"Stay" (1964) "Ronnie" (1964) "Alone" (1964) "Ronnie" is a song by Bob Gaudio and Bob Crewe. The Four Seasons recorded and released the original version in 1964.
"Bye, Bye, Baby (Baby, Goodbye)" is a popular song written by Bob Crewe and Bob Gaudio (a member of The Four Seasons). The Four Seasons' version of the song made it to No. 1 in Canada [1] and No. 12 on the US Billboard Hot 100 in 1965. [2] On the original issue of the single, the title was "Bye Bye Baby". However, on the album, The 4 Seasons ...
STAY. Four Seasons Fort Lauderdale: Listen, I don't feel like you need much convincing to stay at literally ~any~ Four Seasons hotel BUT in case you do...here we go! First things first, this ...
The Genuine Imitation Life Gazette is a 1969 album by American rock band the Four Seasons.Member Bob Gaudio teamed up with Jake Holmes to create a psychedelic concept album which adjusted the band's stylings to the changing times of the late 1960s. [3]