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Olan Mills, Inc. was a privately owned American company founded in 1932 by Olan Mills Sr. and Mary Mills which was headquartered in Chattanooga, Tennessee.It provided portrait photography and church directories through its two main corporate divisions: Olan Mills Portrait Studios and Olan Mills Church Division.
The South By Its Photographers. by Susan Sipple Elliott. University Press of Mississippi, 1996. ISBN 0-87805-954-7. Photographs by 48 Southern photographers. 68pgs. With an introduction by John E. Schloder. New Life: Stories and Photographs from the Suburban South. By Alex Harris. W. W. Horton, 1996. ISBN 978-0-393-04030-2. 249pgs.
Manuello Paganelli is a Cuban-Italian photographer. He was born in Santo Domingo and attended schools in Santo Domingo, Italy, and Puerto Rico. In the late 1970s, he attended Southern Adventist University, where he majored in both biology and chemistry, hoping to pursue a career in medicine. During his last year of college purchased his first ...
One page that is dedicated to celebrating photography from history is Old-Time Photos on Facebook. This account shares digitized versions of photos from the late 1800s all the way up to the 1980s ...
Kim White, Chief Executive Officer of River City, the Chattanooga downtown redevelopment authority; Reggie White, professional football player; Joseph Whitehead, business magnate, philanthropist; Bart Whiteman, writer and critic
In 1994, the Lyndhurst Foundation in Chattanooga, Tennessee asked Bamberger to document "in human terms the impact of home ownership on the lives of families" in three neighborhoods where the Chattanooga Neighborhood Enterprise had built or renovated houses for lower-income people. [26] For the project, he lived and worked with his subjects. [27]
Olan Mills' school division, based in Chattanooga, Tennessee, was acquired in 1999, as was a major competitor in school photography, T.D. Brown, of Cranston, Rhode Island, which had been in business since 1929.
During a brief residence in Chattanooga, Tennessee, in the mid-1950s, Brown opened a photography studio and became an editor at Sepia magazine. Brown returned to Indianapolis in 1956 and established a new studio on the city's eastside, where he concentrated on portraits and did freelance photography, including work for the Indianapolis Recorder.
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