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The Republic of Venice, [a] officially the Most Serene Republic of Venice and traditionally known as La Serenìssima, [b] was a sovereign state and maritime republic with its capital in Venice. Founded, according to tradition, in 697 by Paolo Lucio Anafesto , over the course of its 1,100 years of history it established itself as one of the ...
La Serenissima, a 1981 album by Rondò Veneziano, also released as Venice in Peril "La Serenissima", a single by Rondò Veneziano , later covered by DNA and by Mike Candys "La Serenissima", an instrumental track from Loreena McKennitt's release, The Book of Secrets (1997)
The Most Serene Republic of Lucca (Italian: Serenissima Repubblica di Lucca), a city-state that existed from 1119 to 1799 based in the city of Lucca, in northern Tuscany, Italy. Lucca was the third largest Italian city state (after Venice and Genoa ) with a republican constitution ( comune ) to remain independent over the centuries.
La Serenissima is a British early music/period instrument ensemble founded in 1994 by violinist Adrian Chandler, who has served as the group's director since its creation.. Taking its name from La Serenissima Repubblica di Venezia (Italian for The Most Serene Republic of Venice), the ensemble specializes in the music of Venetian Baroque composer Antonio Vivaldi (1678–1741) and his contemporari
His compositions provide some of the most important examples of popular Spanish baroque music for the guitar and now form part of classical guitar pedagogy. Sanz's manuscripts are written as tablature for the baroque guitar and have been transcribed into modern notation by numerous guitarists and editors; Emilio Pujol's edition of Sanz's Canarios being a notable example.
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The Marcha Real (Spanish pronunciation: [ˈmaɾtʃa reˈal]; lit. ' Royal March ') is the national anthem of Spain.It is one of only four national anthems in the world – along with those of Bosnia and Herzegovina, San Marino and Kosovo – that have no official lyrics. [2]
The album consists of twelve of Roxette's ballads and downtempo tracks, translated into Spanish by songwriter Luis Gomez Escolar, of whom very little is known. [1] Escolar's translations have been criticised by both fans and media for being poorly representative of the original English lyrics, as well as for being overly-simplistic and juvenile.