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Growling is a musical technique where the instrumentalist vocalizes into the instrument to alter quality of the sound. Growling is used primarily in rock and blues style playing, it is also frequently used in klezmer music; it is popular in the woodwind family of instruments, especially the saxophone, though it is also commonly used on brass instruments, as well.
A multiphonic is an extended technique on a monophonic musical instrument (one that generally produces only one note at a time) in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice. Multiphonic-like sounds on string instruments, both bowed and hammered, have also been called ...
Flutter-tonguing is a wind instrument tonguing technique in which performers flutter their tongue to make a characteristic "FrrrrrFrrrrr" sound. The effect varies according to the instrument and at what volume it is played, ranging from cooing sounds on a recorder to an effect similar to the growls used by jazz musicians. Bassoon flutter-tonguing.
Duke Ellington / Bubber Miley. " East St. Louis Toodle-Oo" (also " Toodle-O " and " Todolo ") is a composition written by Duke Ellington and Bubber Miley and recorded several times by Ellington for various labels from 1926–1930 under various titles. [1] This song was the first charting single for Duke Ellington in 1927 and was one of the main ...
Split tones can sound similar to a technique called growling, in which additional noise is produced from the throat while playing. The double buzz is distinctly different in that all noise and vibrations are initiated by the embouchure. Liza Lim makes extensive use of split tones in Ehwaz for trumpet and percussion. [3]
The trumpet is a brass instrument commonly used in classical and ... to produce a 'growling like' tone. This technique is widely employed by composers like Berio and ...
Welfare Island, New York, U.S. Genres. Jazz, Dixieland. Instrument (s) Trumpet, cornet. James Wesley "Bubber" Miley (April 3, 1903 – May 20, 1932) [1] was an American early jazz trumpet and cornet player, specializing in the use of the plunger mute. [2]
Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable wah. The wah-wah effect is a spectral glide, a "modification of the vowel quality of a tone". [1]