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It then swiftly ascends, followed by a three-note descent in the middle register and a four-note descent in the upper. This phrase is then repeated starting on B ♭ major – a whole tone lower – a device Beethoven also used for the opening of the Sonata No. 16 in G Major (Op. 31 No. 1). [3]
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The composer again uses G major as a substitute for D major in part of the finale, thus establishing a large-scale tonal relationship of the kind normally associated with the mature Beethoven. The humorous sentiment suggested in the Scherzando was to become a regular feature of Beethoven's work.
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Although various composers in the 17th century had written keyboard pieces which they entitled "Sonata", it was only in the classical era, when the piano displaced the earlier harpsichord and sonata form rose to prominence as a principle of musical composition, that the term "piano sonata" acquired a definite meaning and a characteristic form.
In it, after the huge Hammerklavier Sonata, Op. 106, Beethoven returns to a smaller scale and a more intimate character. It is dedicated to Maximiliane Brentano [ de ] , the daughter of Beethoven's long-standing friend Antonie Brentano , for whom Beethoven had already composed the short Piano Trio in B ♭ major WoO 39 in 1812.
The first movement is in sonata form.It begins with a slow introductory theme, marked Grave.. The exposition, marked Allegro di molto con brio, is in 2 2 time in the home key of C minor and features three themes.
[2] The variations differ in character, technical difficulty and dynamics. Pianist Yue Chu points out that the key of C minor indicates that "Beethoven was serious when composing this work," despite his apparent misgivings later. [3]