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Fanned-fret guitars have a multi-scale fingerboard because of "offset" frets; that is, frets that extend from the neck of the guitar at an angle. Ralph Novak (Novax Guitars) was the first to apply this idea to the electric guitar (1988). [2] The frets are arrayed on an angle, in contrast to the standard perpendicular arrangement of other guitars.
An A-minor scale has the same pitches as the C major scale, because the C major and A minor keys are relative major and minor keys. A minor chord has the root and the fifth of the corresponding major chord, but its first interval is a minor third rather than a major third:
The scale degree chords of A minor are: Tonic – A minor; Supertonic – B diminished; Mediant – C major; Subdominant – D minor; Dominant – E minor; Submediant – F major; Subtonic – G major
For example: on a guitar, VII 4 indicates a barre on the 7th fret over the highest four strings (D, G, B, and E). There is no rule for whether to write full barre chords with indices (e.g., "6" for a standard guitar) or without. It is a matter of the editor's personal taste. [13]
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
For the regular tunings, chords may be moved diagonally around the fretboard, as well as vertically for the repetitive regular tunings (minor thirds, major thirds, and augmented fourths). Regular tunings thus often appeal to new guitarists and also to jazz-guitarists, as they facilitate key transpositions without requiring a completely new set ...
This chord occurs on different scale degrees in different diatonic scales: In a major scale, it is on the supertonic, mediant, and submediant degrees (, , and ). [3] This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii 7). In a natural minor scale, it is on the tonic, subdominant, and dominant degrees (, , and ). [4]
When barring each fret in standard tuning, only and all of the notes of pentatonic scales are produced. For example, the open strings E, A, D, G, B, E yield the notes of the E minor pentatonic scale (G major pentatonic), and barring the third fret produces the notes of the G minor pentatonic scale (B♭ major pentatonic).
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