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Censors initially refused permission for A Woman to be shown in Great Britain. The reason is not entirely clear, but it could have been because a married man is trying to seduce a much younger woman or because of the transvestitism hinted at by Charlie disguising himself as a female. The ban on the film was lifted in 1916.
This Was a Woman is a 1948 British crime film directed by Tim Whelan and starring Sonia Dresdel, Walter Fitzgerald and Emrys Jones. [1] It was made at the Riverside Studios with sets designed by the art directors Ivan King and Andrew Mazzei . [ 2 ]
I, a Woman (original Danish: Jeg - en kvinde) is a 1965 black-and-white Danish-Swedish erotic film whose break-through popularity helped initiate a wave of sexploitation films into mainstream American theaters in the late 1960s, [2] and inspired Andy Warhol to write and direct his feature-length experimental film version I, a Man.
The young woman Julie falls in love with the famous writer Max Oliver, who has just published a bestseller about his deceased wife, the beautiful mysterious Lucia. Julie wants to ease Max's grief and accompany him to Italy to live with him.
What a Woman! is a 1943 American romantic comedy film directed by Irving Cummings and starring Rosalind Russell and Brian Aherne. The screenplay concerns a literary agent Carol Ainsley's trying to transform her star client, Michael Cobb, into the actor playing his most famous character.
Life Begins at Eight-Thirty is a 1942 comedy-drama romance film starring Monty Woolley as a washed-up, alcoholic actor, Ida Lupino as his daughter, and Cornel Wilde as her boyfriend. It is based on the West End play The Light of Heart by Emlyn Williams .
May is a 2002 American psychological horror film written and directed by Lucky McKee [3] [4] in his directorial debut. Starring Angela Bettis, Jeremy Sisto, Anna Faris, and James Duval, the film follows a lonely young woman (Bettis) traumatized by a difficult childhood, and her increasingly desperate attempts to connect with the people around her.
Lolita Cassard lacks confidence and self-esteem because she doesn't look like the women who fill the pages of fashion magazines. Her father, Étienne Cassard, is a respected novelist, but rarely considers the feelings of others, only thinking of himself and worrying about aging. Pierre Millet, a younger writer, doubts he will ever be successful.