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The "Marines' Hymn" is the official hymn of the United States Marine Corps, introduced by the first director of the USMC Band, Francesco Maria Scala.Its music originates from an 1867 work by Jacques Offenbach with the lyrics added by an anonymous author at an unknown time in the following years.
This song is well known for spawning numerous obscene parody versions which were performed in music halls during World War I and World War II, and are often still sung by serving soldiers today. [3] One of the most notable of these parodies was "I Don't Want to Join the Army", [ 4 ] [ 5 ] [ 6 ] a sanitized version of which also featured in Oh ...
The song was recorded by the Song Spinners [5] for Decca Records, reaching number one on the Billboard pop chart on July 2, 1943. [6]"Comin' in on a Wing and a Prayer" was the only song with a war connection to appear in the top twenty best-selling songs of 1943 in the United States (although record sales in this period were heavily affected by the first Petrillo recording ban).
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
World War I produced many patriotic American songs, such as "Over There", written by popular songwriter George M. Cohan. Cohan composed the song on April 6, 1917, when he saw some headlines announcing America's entry into the war. [6] Cohan is also famous for penning "Yankee Doodle Dandy," an over-the-top parody of patriotic music.
The Little Red Songbook (1909), also known as I.W.W. Songs or Songs of the Industrial Workers of the World, subtitled (in some editions) Songs to Fan the Flames of Discontent, is a compilation of tunes, hymns, and songs used by the Industrial Workers of the World (I.W.W.) to help build morale, promote solidarity, and lift the spirits of the working-class during the Labor Movement.
Three-Five-Zero-Zero" is an anti-war song, from the 1967 musical Hair, consisting of a montage of words and phrases similar to those of the 1966 Allen Ginsberg poem "Wichita Vortex Sutra". In the song, the phrases are combined to create images of the violence of military combat and suffering of the Vietnam War .
The song is about Waters' frustration with the leadership of the world since World War II, [5] mentioning many world leaders by name (Ronald Reagan, Alexander Haig, Menachem Begin, Margaret Thatcher, Ian Paisley, Leonid Brezhnev, Joseph McCarthy and Richard Nixon), suggesting that these "colonial wasters of life and limb" be segregated into a specially-founded retirement home.