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Metanarrative has a specific definition in narratology and communications theory. According to John Stephens and Robyn McCallum, a metanarrative "is a global or totalizing cultural narrative schema which orders and explains knowledge and experience " [ 19 ] – a story about a story, encompassing and explaining other "little stories" within ...
The Postmodern Condition: A Report on Knowledge (French: La condition postmoderne: rapport sur le savoir) is a 1979 book by the philosopher Jean-François Lyotard, in which the author analyzes the notion of knowledge in postmodern society as the end of 'grand narratives' or metanarratives, which he considers a quintessential feature of modernity.
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work.
This involves, for example, an incredulity towards the metanarrative of human emancipation. That is, the story of how the human race has set itself free. That brings together the language game of science, the language game of human historical conflicts, and the language game of human qualities into the overall justification of the steady ...
A metanarrative is a grand overarching account or worldview, which is thought to give order to the historical record. Subcategories This category has the following 3 subcategories, out of 3 total.
Metamodernism is the term for a cultural discourse and paradigm that has emerged after postmodernism.It refers to new forms of contemporary art and theory that respond to modernism and postmodernism and integrate aspects of both together.
Dominant narrative is similar in some ways to the ideas of metanarrative or grand narrative. Sociologist Judith Lorber defines and describes "A-category" members as those that occupy the dominant group in different aspects of life. [4] Dominant narratives are generally characterized as coming from, or being supported by, privileged or powerful ...
Postmodern Metanarratives investigates the connection between literature and cinema through a thorough study of Ridley Scott's cyberpunk filmic narrative Blade Runner.The book establishes a link between the literary tradition and the (post)modern in a collage of several texts that directly or indirectly are referenced in the film.