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Boris (ボリス, Borisu) is a Japanese band that draws variously from styles such as sludge metal, drone, noise, psychedelia, and minimalism. [1] Formed in 1992 in Tokyo , the band is composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata.
Asobi Seksu x Boris – Asobi Seksu/Boris split vinyl 7-inch (2012, Sargent House) Boris/Joe Volk – Boris/Joe Volk split vinyl 12-inch (2012, Invada) Boris/Heap Split Single – 7-inch (2014, Baked Goods) Rocky & The Sweden/Boris - split EP (2022, Relapse Records) Twins Of Evil - Melvins & Boris split (2024, Amphetamine Reptile Records)
Attention Please is the seventeenth studio album by the Japanese experimental band Boris. The album was released on May 24, 2011, through the label Sargent House. Its original release date was April 26, but this was pushed back. [9] The album features vocals in every track sung by Wata. [10]
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Noise is the nineteenth studio album by Japanese rock band Boris.The Japanese edition of the album was released on 18 June 2014 via Avex Group's sub-label Tearbridge Records and consists of the original album plus other songs previously released on other endeavors, such as "Kimi no Yukue" which was used for a promotional video for the Chunsoft video game Zero Escape: Virtue's Last Reward in ...
Dear is the twenty-fourth studio album by Japanese experimental band Boris. Released on 14 July 2017 through Sargent House record label, it marks the band's 25th anniversary. The music video for the track "Absolutego", which shares its title with the band's 1996 debut, was also released in May 2017. [1] Dear was originally planned as a farewell ...
Fade is the twenty-ninth studio album by Japanese experimental band Boris, released on 2 December 2022 under the band's label Fangs Anal Satan.It is their third studio album to be released in 2022, and it appeared with no prior announcement.
[12] Pitchfork called No the best Boris album in a decade, squeezing the band's many interests into "these breathless 40 minutes." [ 4 ] Treble magazine noted that the album "cuts right through the feedback and drone in the interest of a more direct delivery of thrashy riffs and crust-punk intensity."