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Bharatiya Sangeet Vadya (Indian Musical Instruments) is a book (ISBN 81-263-0727-7) written by Lalmani Misra. It was published under the Lokodya Granthmala series (Granthak / Volume No.: 346) of Bharatiya Jnanpith, New Delhi. The first edition was published in 1973, the second in 2002. The book was written in Hindi.
A new instrument, the SeaWinds scatterometer, was carried on the satellite. The SeaWinds instrument, a specialized microwave radar system, measured both the speed and direction of winds near the ocean surface. It used two radars and a spinning antenna to record data across nine-tenths of the oceans of the world in a single day.
A work, published by the journal Science in May 2004 with the title "Wind as a Long-Distance Dispersal Vehicle in the Southern Hemisphere", used daily measurements of wind azimuth and speed taken by the SeaWinds scatterometer from 1999 to 2003. They found a stronger correlation of floristic similarities with wind connectivity than with ...
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones [1] and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the rubaaiaa (the plural for rubaai) end in the word madhushala.
The nadaswaram [note 1] is a double reed wind instrument from South India. [1] It is used as a traditional classical instrument in Tamil Nadu, Andhra Pradesh, Telangana, Karnataka and Kerala [2] and in the northern and eastern parts of Sri Lanka. This instrument is "among the world's loudest non-brass acoustic instruments". [3]
A puthi (Bengali: পুঁথি, Perso-Arab: پوتھی) is a book or writing of poetic fairy tales and religious stories of Bengal and present-day East India, which were read by a senior "educated" person while others would listen. This was used as a medium for education and constructive entertainment. [1]
The Indian version is sometimes known as the "Indian banjo" or "Japan banjo", due to its descent from the taishokoto; similar instruments in Germany and Austria are known as akkordolia, and in Pakistan as benju. In the Maldives it is known as a kottafoshi, and as medolin (pronounced "mendolin" after the mandolin) in the Fijian Indian diaspora. [1]