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The Black Dahlia is a 2006 American neo-noir crime thriller film directed by Brian De Palma and written by Josh Friedman, based on the 1987 novel of the same name by James Ellroy, in turn inspired by the widely sensationalized murder of Elizabeth Short.
Highest-grossing films of 2006 Rank Title Distributor Domestic gross 1 Pirates of the Caribbean: Dead Man's Chest: Disney: $423,315,812 2 Night at the Museum: 20th Century Fox: $250,863,268 3 Cars: Disney: $244,082,982 4 X-Men: The Last Stand: 20th Century Fox: $234,362,462 5 The Da Vinci Code: Sony: $217,536,138 6 Superman Returns: Warner Bros ...
The Black Dahlia was adapted for a 2006 film of the same name by director Brian De Palma. Starring Scarlett Johansson, Josh Hartnett and Aaron Eckhart, it was a critical and commercial failure, with the consensus being that it had been poorly made and acted. It was criticized as sometimes appearing incoherent. [3]
The Black Dahlia Files notes that the LAPD questioned comic actor Arthur Lake, who starred in the Blondie film series, regarding both the Black Dahlia murder and the 1944 killing of oil heiress ...
The Black Dahlia (2006) – American-French-German neo-noir crime thriller film inspired by the widely sensationalized murder of Elizabeth Short [23] Blackbeard (2006) – adventure drama miniseries based on the pirate Blackbeard [ 24 ]
Many incriminating statements were caught on tape during the 24/7 surveillance period, and several other witnesses were interviewed to make a case against Dr. Hodel as the Black Dahlia murderer. Dr.
The Black Dahlia: Brian De Palma 2006 United States [27] Blind Shaft: Li Yang: 2003 China [13] The Bourne Identity: Doug Liman: 2002 United States [12] Brick: Rian Johnson: 2005 United States [112] Caché: Michael Haneke: 2005 France [26] Cavite: Neill Dela Llana and Ian Gamazon: 2005 Philippines, United States [8] Circus: Rob Walker 2000 ...
The new limited series I Am the Night — which premieres Monday at 9 p.m. on TNT — transports viewers back to 1960s-era Hollywood, when the town was caught between the fading glamor of the ...
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