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L'estro armonico (The Harmonic Inspiration), Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1 , and Twelve Violin Sonatas, Op. 2 , only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in ...
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
File:Vivaldi - Concerto for Two Violins in A minor, Op. 3, No. 8 - 2. Larghetto e spiritoso.ogg. Page contents not supported in other languages. File; Talk;
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8, 1725). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year.
Antonio Vivaldi (engraving by François Morellon la Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8 The following is a list of compositions by the Italian Baroque composer Antonio Vivaldi (1678–1741).
8 737: Tieteberga: Antonio Maria Lucchini: 16 October 1717: Venice, Teatro San Moisè: 9 Anh 58: Il vinto trionfante del vincitore: Antonio Marchi: Autumn 1717: Venice, Teatro Sant'Angelo: pasticcio, possibly with some music by Vivaldi 10 701: Artabano, re dei Parti: Antonio Marchi: Carnival 1718: Venice, Teatro San Moisè: reworking of La ...
For example, Vivaldi's celebrated Four Seasons, made up of four violin concertos (not sequentially numbered because they are in different keys), and his famous lute concerto are named and numbered as follows: Concerto No. 1 in E major, Op. 8, RV 269 – "La primavera" (Spring) Concerto No. 2 in G minor, Op. 8, RV 315 – "L'estate" (Summer)
The musicologist Peter Williams has pointed out that the catchy "lengthy sequential tail" of this fugue subject (its last 3 bars) "easily confuse[s] the ear about the beat" and is harmonically an exact "paraphrase" of the sequence in bars 6-8 of Vivaldi's double violin concerto Op. 3 No. 8 in A minor (RV 522, from L'estro armonico).