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Marxist literary criticism is a theory of literary criticism based on the historical materialism developed by philosopher and economist Karl Marx. Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors.
Marxist literary criticism is a loose term describing literary criticism based on socialist and dialectic theories. [153] Marxist criticism views literary works as reflections of the social institutions from which they originate. According to Marxists, even literature is a social institution with a specific ideological function based on the ...
In his 1984 article "Marxism vs. the Jews" for Commentary, English journalist Paul Johnson references the second part of Marx's essay as evidence of Marx's antisemitism: [4] [16] Let us consider the actual, worldly Jew – not the Sabbath Jew, as Bauer does, but the everyday Jew.
Georg Lukács (13 April 1885 – 4 June 1971) was a Hungarian Marxist philosopher and literary critic, who founded Western Marxism with his magnum opus History and Class Consciousness. Written between 1919 and 1922 and first published in 1923, the collection of essays contributed to debates concerning Marxism and its relation to sociology ...
The Eighteenth Brumaire of Louis Napoleon (German: Der 18te Brumaire des Louis Napoleon) is an essay written by Karl Marx between December 1851 and March 1852, and originally published in 1852 in Die Revolution, a German monthly magazine published in New York City by Marxist Joseph Weydemeyer.
The immediate post-war period produced little that was Marxist by these criteria, with perhaps the sole exception of Paul Mattick's essays which defended the orthodox theoretical Marxism, particularly on the issue of Marx's theory of crisis, against revisionists such as Paul Sweezy. Mattick's essay "Technology and the Mixed Economy" (1966) was ...
The term "Marxism" encompasses multiple "overlapping and antagonistic traditions" inspired by the work of Karl Marx, and it does not have any authoritative definition. [12] [13] The most influential texts for cultural studies are (arguably) the "Thesis on Feuerbach" and the 1859 Preface to A Contribution to the Critique of Political Economy. [14]
Marx believed that humanity's defining characteristic was its means of production and thus the only way for man to free himself from oppression was for him to take control of the means of production. According to Marx, this is the goal of history and the elements of the superstructure act as tools of history. [12]