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Battledore and shuttlecock, or jeu de volant, is a sport related to the professional sport of badminton. The game is played by two or more people using small rackets (battledores), made of parchment or rows of gut stretched across wooden frames, and shuttlecocks , made of a base of some light material, such as cork, with trimmed feathers fixed ...
The names attached to the pictures were generally suggested by the completed work, and rarely represented any preconceived idea in the artist's mind. Among them were such titles as A Painter's Tribute to Music, Shells, The Reader, Dreamers, Battledore, Shuttlecock, Azaleas. In so limited a sphere of art, Moore found his admirers among the few ...
Games employing shuttlecocks have been played for centuries across Eurasia, [a] but the modern game of badminton developed in the mid-19th century among the expatriate officers of British India as a variant of the earlier game of battledore and shuttlecock. ("Battledore" was an older term for "racquet".) [4] Its exact
Feather shuttlecocks Plastic shuttlecock. A shuttlecock (also called a birdie or shuttle) is a high-drag projectile used in the sport of badminton. It has an open conical shape formed by feathers or plastic (or a synthetic alternative) embedded into a rounded cork (or rubber) base. The shuttlecock's shape makes it extremely aerodynamically ...
The rackets are similar to the ones used in squash but are specially produced for Crossminton. They are 58–60 cm long, and the material and the strings are different. The ball is called a speeder and is heavier than a conventional badminton shuttlecock, meaning it can be used up to wind force 4.
It has been proposed that music synthesizers that perform computation, and/or that work by recording and playback of sound samples, or the like, be referred to as quintephones. This class of instrument includes electrophones as a special case. [1]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Harman and Mellers argue that, with the music Bizet wrote for the stage production of L'Arlésienne, the Jeux d'Enfants represents the rediscovery of his true musical nature, exploring his melodic gifts, while the concentrated form of short pieces allowed him to discover chromatic and enharmonic subtleties both "simple and single-minded", in ...