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Initially intended as a 3-volume series of increasing difficulty, the middle volume titled Clarke's Technical Studies (1912) would gain a following independent of the other volumes, becoming "one of the most widely used trumpet method books" [1] and drawing comparisons to the Arban Method. [2]
The Theo Charlier International Trumpet Solo Competition was held in 2005, 2015, and 2019 in Charlier's home country of Belgium. [4] Charlier wrote Solo de Concours in 1900, and it is still performed to this day. By far, his most famous work is 36 Études Transcendantes (Thirty-six Transcendental Etudes), a staple in trumpet instruction. [2]
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet. Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
Brandt's 34 Orchestral Etudes (34 Studies for Trumpet) is an important study material for modern trumpet players. His Last Etudes (The Last Studies) serve a similar purpose. His two Concert Pieces (Konzertstücke Opp. 11–12) for trumpet and piano are also widely performed today. Country Pictures is a notable quartet for trumpets or horns from ...
Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet, cornet, and other brass instruments. The original edition, Grande méthode complète de cornet à pistons et de saxhorn) , was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [ 1 ]
Henrique Oswald (1852–1931): Trois Etudes pour piano, plus three independent études; Rafael Joseffy (1852-1915): School of Advanced Piano Playing; Moritz Moszkowski (1854–1925): three concert studies (Op. 24), Ecole des doubles notes (Op. 64), 15 Études de Virtuositié (Op. 72), 12 studies for the left hand alone (Op. 92), and 20 technical studies (Op. 91).
Wurm has worked on a series of sculptures titled Fat Car, which depict "puffy, obese, life-size sculptures that bulge like overfilled sacks". [11] The first of his Fat Car series was developed with Opel designers, but they were unsuccessful in achieving the kind of shape that Wurm had in mind due to technical limitations of this time. [12]
He has also been involved with many early recordings and performances of both solo and orchestral works including J. S. Bach's Brandenburg Concerto #2, Béla Bartók's Concerto for Orchestra, Aaron Copland's Quiet City, Joseph Haydn's Concerto for Trumpet in Eb, Alexander Scriabin's The Poem of Ecstasy, Georg Philipp Telemann's Concerto for ...