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Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
The use of metal wire in jewelry dates back to the 2nd Dynasty in Egypt and to the Bronze and Iron Ages in Europe. [1] In the 20th century, the works of Alexander Calder, Ruth Asawa, and other modern practitioners developed the medium of wire sculpture as an art form.
James Avery; Webb C. Ball; Bill Barrett; BillyBoy* Gail Bird; Alexis Bittar; Steven Brody; Richard Shaw Brown; Daniel Brush; Ben Nighthorse Campbell; Alexander Calder
Jeune fille et sa suite (Young Woman and Her Suitors), 1970, Detroit Institute of Arts [3] The X and Its Tails, 1967, College of Creative Studies, Detroit [3]; Deux Disques (Two Discs), 1965, Frederik Meijer Gardens & Sculpture Park (Long-term loan from Smithsonian Institution), Grand Rapids
Spinal Column is a 1968 sculpture by Alexander Calder. [1] It was commissioned for the San Diego Museum of Art in 1968 and was displayed in the May S. Marcy Sculpture Garden before being installed outside the museum. [2] [3] The work measures 118 in. x 100 in. x 90 in. [4]
[10] [11] Calder unveiled the model for Flamingo on April 23, 1973, at the Art Institute of Chicago; the sculpture was presented to the public for the first time on October 25, 1974, at the same time that Calder's Universe mobile was unveiled at the Sears Tower (now the Willis Tower). The day was proclaimed "Alexander Calder Day" and featured a ...
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