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The clavier à lumières ("keyboard with lights"), or tastiera per luce, as it appears in the score, was a musical instrument invented by Alexander Scriabin for use in his work Prometheus: Poem of Fire. Only one version of this instrument was constructed, for the performance of Prometheus: Poem of Fire in New York City in 1915. [1]
ROLI is a London-based music technology company ... a subscription-based keyboard teaching system for novice keyboard players. Luminary uses a light-up keyboard that ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Pasticcio – Opera made up of various pieces from other compositions. Singspiel – Form of German light opera, typically with spoken dialogue. Zarzuela – Spanish lyric-dramatic genre that incorporates operatic and popular songs, as well as dance. Oratorio – Large composition for orchestra, choir, and soloists, typically based on a ...
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
The dream of creating a visual music comparable to auditory music found its fulfillment in animated abstract films by artists such as Oskar Fischinger, Len Lye and Norman McLaren; but long before them, many people built instruments, usually called "color organs", that would display modulated colored light in some kind of fluid fashion comparable to music.
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The earliest known keyboard instrument was the Ancient Greek hydraulis, a type of pipe organ invented in the third century BC. [2] The keys were likely balanced and could be played with a light touch, as is clear from the reference in a Latin poem by Claudian (late 4th century), who says magna levi detrudens murmura tactu . . . intonet, that is "let him thunder forth as he presses out mighty ...
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