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Hieronymus, in English pronounced / h aɪ ˈ r ɒ n ɪ m ə s / or / h ə ˈ r ɒ n ɪ m ə s /, is the Latin form of the Ancient Greek name Ἱερώνυμος (Hierṓnymos), meaning "with a sacred name".
Eusebius Sophronius Hieronymus was born at Stridon around 342–347 AD. [4] He was of Illyrian ancestry. [6] He was not baptized until about 360–369 in Rome, where he had gone with his friend Bonosus of Sardica to pursue rhetorical and philosophical studies. (This Bonosus may or may not have been the same Bonosus whom Jerome identifies as his ...
Saint Jerome in His Study (German: Der heilige Hieronymus im Gehäus) is a copper engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance.
Among Dürer's depiction of St. Jerome, this is the one more resembling a portrait, with little space left for the study and its details (such as in his 1514 etching, where the saint is a small figure in the background).
Hieronymus Wolf was a 16th-century German historian. After coming into contact with the works of Laonicus Chalcondyles, he also went ahead with identifying Byzantine historiography for the purpose of distinguishing medieval Greek from ancient Roman history. Romans or Rhomaioi (Ῥωμαῖοι; sg. Ῥωμαῖος Rhomaios) and Romioi ...
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
The Hieronymites or Jeronimites, also formally known as the Order of Saint Jerome (Latin: Ordo Sancti Hieronymi; abbreviated OSH), is a Catholic cloistered religious order and a common name for several congregations of hermit monks living according to the Rule of Saint Augustine, though the role principle of their lives is that of the 5th-century hermit and biblical scholar Jerome.
The first painter showing the marks of the new era is Hieronymus Bosch. His work is strange and full of seemingly irrational imagery, making it difficult to interpret. [1] Most of all it seems surprisingly modern, introducing a world of dreams that highly contrasts with the traditional style of the Flemish masters of his day.