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Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
Lewis Corner of Digital Spy gave the song a positive review stating: "Turn around, open your eyes/ Look at me now/ Turn around, girl I've got you/ We won't fall down," he promises his (hopefully more appreciative) new beau over a mix of euphoric Italo piano riffs and pacing house beats, all worthy of the air-grabbing displayed in the accompanying music video.
In the United Kingdom, broadcasting regulator Ofcom received three viewer complaints after the video was broadcast on British music channel 4Music at approximately 1400 and 1800 UTC during December 2010 - January 2011, long before the 2100 watershed, "at the time when children are most likely to watch TV".
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
The root movement of the V−IV−I cadential formula found in the blues is considered nontraditional from the standpoint of Western harmony. [7] The motion of the V−IV−I cadence has been considered "backward," [2] as, in traditional harmony, the subdominant normally prepares for the dominant which then has a strong tendency to resolve to the tonic.
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