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Chinese export porcelain made for European markets was a well-developed trade before Japanese production of porcelain even began, but the Japanese kilns were able to take a significant share of the market from the 1640s, when the wars of the transition between the Ming dynasty and the Qing dynasty disrupted production of the Jingdezhen porcelain that made up the bulk of production for Europe ...
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad. [32]
The first porcelain made in Japan followed the discovery of porcelain clay near Arita near the end of the 16th century. A number of kilns opened up in the area, and a considerable variety of styles were made, the Japanese export porcelain destined for Europe often using Western shapes and Chinese decoration.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Hirado ware (Japanese: 平戸焼, Hepburn: hirado-yaki) is a type of Japanese porcelain mostly made at kilns at Mikawachi, Sasebo, Nagasaki, and it is therefore also known as Mikawachi ware (三川内焼, Mikawachi-yaki).
Tianqi porcelain or ko sometsuke refers to Chinese underglaze blue porcelain made in the unofficial kilns of Jingdezhen (景德镇) for a largely Japanese market in the 17th century. The term Tianqi (天啓; tenkei in Japanese) is a reference to the era name of the reign of the Tianqi Emperor (r. 1621–1628) during the late Ming dynasty , but ...
However, in Japan, pottery and unglazed fired pottery were the mainstream for a long time, and porcelain production only began in the early 17th century. Following the Japanese invasions of Korea (1592–1598), many potters from Korea were brought to Japan by Toyotomi Hideyoshi and various daimyō, and their techniques led to the creation of ...