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Deac, Mircea, Lexicon critic si documentar, pictori, sculptori si desenatori din Romania sec. XV-XX, Editura Medro, 2008 Oprea, Petre, Expozanți la Saloanele Oficiale de pictură, sculptură , grafică. 1924-1944 , Direcția pentru cultură, culte și patrimoniul cultural național a Municipiului București, 2004, p. 19
Brătescu was artistic director of literature and art magazine Secolul 21. [3] A major retrospective of her work was held at the National Museum of Art of Romania in December 1999. In 2015 Brătescu's first UK solo exhibition was held at the Tate Liverpool. [4] In 2017, she was selected to represent Romania at the 57th Venice Biennale.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
Albert Baertsoen (1866–1922) – Impressionism; Émile Baes (12 November 1879, Brussels – 3 January 1953, Paris) Post-Impressionism; Firmin Baes (born in Saint-Josse-ten-Noode, 1874 – died in Uccle, 1943) – Impressionism
The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...
The 20th century began on 1 January 1901 (MCMI), and ended on 31 December 2000 (MM). [1] [2] It was the 10th and last century of the 2nd millennium and was marked by new models of scientific understanding, unprecedented scopes of warfare, new modes of communication that would operate at nearly instant speeds, and new forms of art and entertainment.
Portrait of Nicolae Bălcescu (1851) February 11, 1866 – The Modern Romania. Tattarescu was a participant in the 1848 Revolution in Wallachia.After the revolution, he painted portraits of Romanian revolutionaries in exile such as Gheorghe Magheru, Ştefan Golescu, and, in 1851, that of Nicolae Bălcescu (in three almost identical versions).
"The Symbolist poet", as portrayed by cartoonist Constantin Jiquidi.At the bottom, a stack of papers with the title Literatorul. Analyzing the overall eclectic nature of the movement originating with Literatorul, Mihai Zamfir concluded: "on Romanian territory, all currents united themselves into a synthetic 'newism' ". [16]