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Famille rose bowl, Imperial porcelain, Jingdezhen. Famille rose (French for "pink family") is a type of Chinese porcelain introduced in the 18th century and defined by pink overglaze enamel. It is a Western classification for Qing dynasty porcelain known in Chinese by various terms: fencai, ruancai, yangcai, and falangcai. [1]
Many produced in the Qianlong period were on eggshell porcelain. Famille rose supplanted famille verte in popularity, and its production overtook blue and white porcelain in the mid-18th century. It remained popular throughout the 18th and 19th centuries and continued to be made in the 20th century.
English: Ewer, China, Qing dynasty, Qianlong period (1736-1796), porcelain with underglaze cobalt oxide decoration, Honolulu Museum of Art accession 174. Date: photo ...
The porcelain trade became important during the late Ming dynasty and was so throughout the Qing dynasty. [2] The growth reflected a creative influence that improved the artistic design of the porcelain and generated high demand in Europe. [3] Chinese porcelain made specifically for export to Europe is known as Chinese export porcelain.
Kangxi period mark on a piece of late nineteenth century blue and white porcelain. Chinese potters have a long tradition of borrowing design and decorative features from earlier wares. Whilst ceramics with features thus borrowed might sometimes pose problems of provenance, they would not generally be regarded as either reproductions or fakes ...
This vase with a nine peach design is part of the Chinese collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States.It is a fine piece of Jingdezhen porcelain with overglaze (or "enamel") decoration dating from the Qianlong period of the Qing dynasty, so it was made between 1736 and 1795.
In the late Ming period, the reigns of the five emperors from 1488 to 1620, there was little innovation in styles of decoration, though some alterations in the colours used. In this period the enormous quantities of porcelain made in China seem to have led to low prices and a loss of prestige, at court and in Chinese society in general.
A red box carved with a crane motif. Qing dynasty (1644–1911), Qianlong period (1736–95). Handicrafts (手工业 shougongye) produced during the Qing dynasty (1644–1911) were objects designed and hand-made by craftsmen. They were heavily ornate, incorporating Tibetan, Middle Eastern, Indian, and European techniques.
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