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1D (point to point) cable cam system for live TV broadcast of sports and events - Defy Dactylcam and Newton stabilized camera head. A cable-suspended camera system is a system of cables above or along an area to be filmed or videoed, over or along which an attached camera head travels to achieve required camera angles. There are two broad types ...
B4-mount of Fujinon A13x4.5 lens B4-mount of Panasonic AK-HC1500G camera. The B4 lens mount was standardized in 1992 by the Broadcasting Technology Association (BTA) and is defined in BTA S-1005. [1] This standard defines the physical mount, but also optical properties and some electrical connections.
The "Base" Camera Link configuration carries signals over a single connector/cable. [1] [2] [3] The cable used is a MDR ("Mini D Ribbon") 26-pin Male Plug Connector, optimized by 3M for the LVDS signal. In addition to the 5 LVDS pairs transmitting the serialized video data (24 bits of data and 4 framing/enable bits), the connector also carries ...
Diagram illustrating the flange focal length of an SLR–type and a mirrorless–type camera. For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus [1] or register, depending on the usage and source) of a lens mount system is the distance from the ...
Cable-ready is a designation which indicates that a TV set or other television-receiving device (such as a VCR or DVR) is capable of receiving cable TV without a set-top box. [ 1 ] The term originated with analog TV , which uses different frequencies for cable versus over-the-air .
The price for the 60 GB model was dropped to US$449 with fewer bundled accessories, making the dock, FireWire cable, and television cable extra-cost options. On the same day, Apple announced the iPod Camera Connector which allowed instant transfer of images from a USB-compatible digital camera to the iPod Photo. [ 15 ]
The Nikon 1 series and the Pentax Q series can use C-mount lenses without vignetting. C mount was created by Bell & Howell for their Filmo 70 cine cameras. [2] The earliest Filmos had slightly different mounts, known as A mount, and B mount. C mount was found on Filmo 70 cameras with serial numbers 54090 and higher, [3] probably
The Arri Amira camera was also released in 2014. [22] In 2015, four of the five nominees for the cinematography category of the Academy Awards were filmed using the Arri Alexa. [45] Arri's subsidiary postproduction and creative services company, Arri Film & TV, was renamed Arri Media in 2015 as part of a company restructuring. [46]
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