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Krishna and Radha, attributed to Nihal Chand, a master of the Kishangarh miniature school trained at the imperial court in Delhi. [1]Apart from the architecture of Rajasthan, the most notable forms of the visual art of Rajasthan are architectural sculpture on Hindu and Jain temples in the medieval era, in painting illustrations to religious texts, beginning in the late medieval period, and ...
The three basic features associated with this art form are: the epic story of Pabuji, the Rathore chief of Rajasthan in the 14th century, who is extolled as an incarnation of Hindu God, and worshipped by the Rabari tribals of Rajasthan; the Phad or Par, which is a long scroll painting (or sewn) made on cloth, with the martial heroics of Pabuji ...
Bhanwar lal Girdhari lal Sharma (5 August 1924 – November 2007), better known as B. G. Sharma, was a painter from Rajasthan, India. [1] He is famous for his miniature devotional paintings and his rejuvenation and popularization of classic Rajasthan art, including the Mughal, Kishangarh, and Kangra styles. [2]
The City Palace Museum, Udaipur: Paintings of Mewar Court Life. Government Museum, Udaipur. ISBN 0-944142-29-X; Vashistha, Radhakrishna. (1995). Art and artists of Rajasthan: a study on the art & artists of Mewar with reference to western Indian school of painting. Abhinav Publications. ISBN 81-7017-284-5
Nathdwara Painting refers to a painting tradition and school of art that emerged in Nathdwara, a city in Rajsamand district in the Western state of Rajasthan in India. Inspired by the Thanjavur Painting, Nathdwara paintings are of different sub-styles of which Pichhwai paintings are the most popular. [ 1 ]
Marwar painting is known for its rich iconography, which includes deities, animals, birds, and plants. The paintings often depict scenes from the Ramayana and Mahabharata, as well as local legends and folktales. The artists also draw inspiration from nature, incorporating images of birds, flowers, and other natural elements into their work.
Sahibdin's paintings deftly combine elements of the "popular Mughal" style then in vogue across northern India with the traditional Rajput style. [ 1 ] Among his surviving works are a series of musically themed " Ragamala " from 1628; a series on the scriptural text Bhagavata Purana from 1648; and illustrations to the Yuddha Kanda , the sixth ...
Such painting continued into the 19th century in forts, like those at Mandawa, Nawalgarh and Mahansar, all in Jhunjhunu district, as well as temples and chhatris, often using a richer palette. Apart from a few temples and chhatris, merchant monuments predating an 1818 treaty between Jaipur and the new British regime were lightly painted ...