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The bridge of the classical guitar does not use bridge pins. In this instrument the strings are tied to the part of the bridge called the tie block. Strings run over the bridge saddle, through drilled holes in the base of the tie block, loop over the top of the tie block, loop under the strings and are tied on.
Badass bridges (used on the Martin EB18 electric bass and a replacement bridge on the Fender Precision Bass) feature individually adjustable saddles, which allows for "extremely accurate intonation adjustments." [1] The Badass came on the market in the 1970s, [2] and was made by entrepreneur and guitar repairman Glen Quan, of Marin County music ...
This style bridge combines the bridge and stopbar into one unit. There are a variety of wraparound bridge designs. They may have individual movable bridge saddles (adjustable stoptail bridges), a fixed compensated saddle similar to an acoustic guitar bridge, or simply a straight stopbar anchored in the bridge position.
Measurements of a typical Tune-o-matic bridge Schaller Wide Travel Tune-o-Matic a.k.a. Harmonica bridge on The Fool. Since its invention, different versions by Gibson have been used: • ABR-1 without retainer wire: 1954–1962 • ABR-1 with retainer wire: 1962–1975 • Schaller Wide travel Tune-o-Matic a.k.a. "Harmonica bridge": 1970-1980 (Kalamazoo plant) • Modern TOM a.k.a. "Nashville ...
] Furthermore, DR-7s with a four-digit ink stamped label serial number, a zero fret and an adjustable bridge saddle strongly suggests a very early ('70-'71) build date. Some early 1970s Sigma guitar serial numbers (c.1972–1975) began with 7X0 suggesting the 197X build date (e.g. 750XXXXX possibly equates to a build year 1975.) These were ...
The "threaded" bridge saddles allow the strings to slip out of alignment if they are plucked or strummed hard, motivating some players to fit replacement saddles that have deeper slots or grooves to hold the strings, or to replace the bridge completely. The Fender Mustang style bridge is a popular choice of replacement.
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Danny Gatton (1945–1994) played a customized '53 Tele whose specifications were replicated by Fender for his Signature model, including unique angled bridge saddles for improved intonation of the classic 3-saddle bridge, and use of Joe Barden pickups. [33]
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