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The use of dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source, was a compositional device developed by Ugo da Carpi (c. 1455 – c. 1523), Giovanni Baglione (1566–1643), and Caravaggio (1571–1610), the last of whom was crucial in developing the style of tenebrism, where dramatic chiaroscuro ...
The space-opera franchise Star Wars also depicts Light and Dark aspects in the form of the fictional energy field called The Force where there are two sides, light side and dark side wherein the protagonists, the Jedi, practice and propagate the use of the former, and the antagonists, the Sith, use the latter.
John the Baptist (John in the Wilderness), by Caravaggio, 1604, in the Nelson-Atkins Museum of Art, Kansas City. Tenebrism, from Italian tenebroso ('dark, gloomy, mysterious'), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the ...
Imagery is visual symbolism, or figurative language that evokes a mental image or other kinds of sense impressions, especially in a literary work, but also in other activities such as. Imagery in literature can also be instrumental in conveying tone .
Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
For example, the mixture of bright or pale red and green on the same retinal spot results in the impression there of light or white. White cannot be produced by mixing colored pigments. With colors from a prism, however, the production of white can be demonstrated by using a mixture of colored light from each of the three main pairs of ...
Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]
According to this theory, the creation of colour is dependent on the distribution of dark and light reflecting through a transparent object. [5] Turner uses concepts from Goethe's theory, which is a rejection of Newton's Seven Colour Theory , and expresses the belief that every colour is an individualised combination of light and darkness.
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