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The use of dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source, was a compositional device developed by Ugo da Carpi (c. 1455 – c. 1523), Giovanni Baglione (1566–1643), and Caravaggio (1571–1610), the last of whom was crucial in developing the style of tenebrism, where dramatic chiaroscuro ...
The space-opera franchise Star Wars also depicts Light and Dark aspects in the form of the fictional energy field called The Force where there are two sides, light side and dark side wherein the protagonists, the Jedi, practice and propagate the use of the former, and the antagonists, the Sith, use the latter.
John the Baptist (John in the Wilderness), by Caravaggio, 1604, in the Nelson-Atkins Museum of Art, Kansas City. Tenebrism, from Italian tenebroso ('dark, gloomy, mysterious'), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the ...
A traffic light is another example of everyday semiotics that people use on a daily basis, especially on the road. It is a set of automatically operated colored lights, typically red, yellow, and green, for controlling traffic at road junctions and crosswalks. Those who drive understand the meaning of each color without the usage of written words.
Imagery is visual symbolism, or figurative language that evokes a mental image or other kinds of sense impressions, especially in a literary work, but also in other activities such as. Imagery in literature can also be instrumental in conveying tone .
During the 19th century, the word 'codex' became popular to designate any pictorial manuscript in the Mesoamerican tradition. In reality, pre-Columbian manuscripts are, strictly speaking, not codices, since the strict librarian usage of the word denotes manuscript books made of vellum, papyrus and other materials besides paper, that have been sewn on one side. [1]
The word ambigram was coined in 1983 by Douglas Hofstadter, an American scholar of cognitive science best known as the Pulitzer Prize-winning author of the book Gödel, Escher, Bach. [7] [4] [5] It is a neologism composed of the Latin prefix ambi-("both") and the Greek suffix -gram ("drawing, writing"). [2]
Another reaction that occurs is that the lines create after-images of certain colors due to how the retina receives and processes light. As Goethe demonstrates in his treatise Theory of Colours , at the edge where light and dark meet, color arises because lightness and darkness are the two central properties in the creation of color.