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This mainly affects films released prior the 1990s, as there has been very little Japanese ticket price inflation since the 1990s. Where the number of admissions is unknown, they are estimated by dividing the nominal gross revenue by the average ticket price in the year of release (or the distributor rentals by the average rental earnings per ...
The lists include both anime and live-action films produced by Japanese studios, but do not include English-language international co-productions between Japanese and Hollywood studios. For example, many Hollywood films based on Japanese source material, were co‑produced with Japanese production companies.
Mandarin, English, Japanese 2011 $94,000,000 [8] The Rescue: China Mandarin 2020 $90,000,000 [9] The Monkey King 3: Hong Kong Mandarin 2018 $87,300,000 [4] Ladybug & Cat Noir: The Movie: France French 2023 $100,000,000 [10] Red Cliff: China Mandarin 2008 $80,000,000 [8] The Eight Hundred: China Mandarin 2020 $80,000,000 [11] Asterix and Obelix ...
A Hundred Years of Japanese Film: A Concise History, with a Selective Guide to DVDs and Videos. Kodansha America. ISBN 978-4-7700-2995-9. Sato, Tadao (1982). Currents In Japanese Cinema. Kodansha America. ISBN 978-0-87011-815-9. Wada-Marciano, Mitsuyo (2008). Nippon Modern: Japanese Cinema of the 1920s and 1930s. University of Hawaii Press.
This page was last edited on 3 November 2023, at 11:57 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
In terms of gross revenue, English-language films are vastly over-represented among the highest-grossing films of all time. Among the top 100 highest-grossing films, 97 of them are in English, with the other three being the Chinese films The Battle at Lake Changjin, Wolf Warrior 2 and Hi, Mom.
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This Video Cannot Be Played: The Movie: Kōhei Taniguchi: Shō Kaga, Sōya Kaya, Masanari Wada, Koji Abe [130] 20: Ano Hito ga Kieta: Itaru Mizuno: Fumiya Takahashi, Kei Tanaka, Kana Kita, Maki Sakai, Yoshihiko Hakamada, Rinko Kikuchi, Shota Sometani [131] Living in Two Worlds: Mipo O