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1610. 10 July 2009. "PART I : SECTION (I) — GENERAL Government Notifications" (PDF). The Gazette of the Democratic Socialist Republic of Sri Lanka. 1612. 24 July 2009. "PART I : SECTION (I) — GENERAL Government Notifications" (PDF). The Gazette of the Democratic Socialist Republic of Sri Lanka. 1677. 22 October 2010.
Map of the expansion of the Srivijaya empire, beginning in Palembang in the 7th century, then extending to most of Sumatra, then expanding to Java, Riau Islands, Bangka Belitung, Singapore, Malay Peninsula (also known as: Kra Peninsula), Thailand, Cambodia, South Vietnam, Kalimantan, Sarawak, Brunei, Sabah, and ended as the Kingdom of Dharmasraya in Jambi in the 13th century.
The Melayu Kingdom (also known as Malayu, Dharmasraya Kingdom or the Jambi Kingdom; Chinese: 末羅瑜國; pinyin: Mòluóyú Guó, reconstructed Middle Chinese pronunciation mat-la-yu kwok) [1] [2] [3] was a classical Buddhist kingdom located in what is now the Indonesian province of West Sumatra and Jambi.
The Jambi Sultanate (Jawi: كسلطانن جمبي , romanized: Kesultanan Jambi), alternatively known as Djambi, was a sultanate that was centered in the modern-day province of Jambi in Indonesia. Initially part of the Majapahit Empire, Jambi broke away in the early 16th century and established the sultanate in 1615.
[10] The common names of the dvīpas, having their varṣas (9 for Jambu-dvīpa, 7 for the other dvīpas) with a mountain and a river in each varṣa, is given in several Purāṇas. [11] There is a distinct set of names provides, however, in other Purāṇas. [12] The most detailed geography is that described in the Vāyu Purāṇa. [13]
Tambapaṇṇī is a name derived from Tāmraparṇī or Tāmravarṇī (in Sanskrit). [4] This has got reference to the Thamirabarani river in Southern Tamil Nadu, India.This means the colour of copper or bronze because when Vijaya and his followers landed in Sri Lanka, when their hands and feet touched the ground they became red with the dust of the red-earth.
The batik's quality and early Majapahit period carbon-dating suggest that sophisticated batik techniques already existed at the time, but competed with the more established ikat textiles. [10] Batik craft further flourished in the Islamic courts of Java in the following centuries. Some ancient Indonesian statues that use batik motifs
Subsequently, the text was studied by B. C. Law in 1947. [10] Tilman Frasch has shown that a longer and less corrupt version of the text was maintained in Burma compared to the Sinhalese manuscripts used by Oldenberg for his edition. One such manuscript is in the John Rylands Library. [11]