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At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's brush. [2]
A Chinese writing brush (traditional Chinese: 毛筆; simplified Chinese: 毛笔; pinyin: máo bǐ) is a paintbrush used as a writing tool in Chinese calligraphy as well as in Japanese, Korean, and Vietnamese which all have roots in Chinese calligraphy.
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Bokuseki (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy and more specifically a style of zenga developed by Zen monks. Bokuseki is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see Samadhi ).
A brush, is a long, usually wooden-handled brush tipped with horse, sheep, goat, raccoon, or weasel hair. [2] Sumi. A black ink made from charcoal soot and glue, usually compressed into an inkstick and ground with water. [3] Hanshi. A thin, absorbent Japanese washi paper designed for calligraphy. [4] Suzuri.
Ink wash painting brushes are similar to the brushes used for calligraphy and are traditionally made from bamboo with goat, cattle, horse, sheep, rabbit, marten, badger, deer, boar and wolf hair. The brush hairs are tapered to a fine point, a feature vital to the style of wash paintings. [3] [13] Different brushes have different qualities.
Bokuseki is a type of Japanese calligraphy practiced by Zen monks or lay practitioners of Zen meditation. [95] [96] Characterised by freely written bold characters, the style often ignores criteria and classical standards for calligraphy. [97] [98] The brush is moved continuously across the paper creating richly variated lines. [99]
By touching a calligraphy brush to the cotton, one could ink the bristles with reduced risk of dripping or spilling ink. By enclosing the cotton in a little box (sumi tsubo), a writing set was made convenient and portable. The first yatate were long boxes, with the ink compartment in the axis of the pen. The "smoking pipe" shape was designed to ...
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